This is what Christian catechesis does; it turns the knobs of the Scriptures and throws the doors of God’s word wide open to tell us the story of salvation.
Christianity isn’t simply a tool to fix social, spiritual, or economic problems. Its claims are much larger, touching upon truth itself and therefore all things and all people.
Christianity does not ultimately rest on the assertion that God delivered a perfectly dictated text whose divine origin can be demonstrated by claims of flawless transmission.

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God is consistently rooting us in reality—both what is seen and unseen—because that is where he is.
Our comfort in this seemingly endless age of crisis after crisis is the inexhaustible hope of Jesus’s reversal.
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Faith is like a horse with blinders because it only beholds God’s promise. It is obsessed with what God has already said.
Cyril’s fervor for pure explication of the gospel was present throughout his career.
Finding the balance between indifferentism and obsessiveness has never been easy, and it’s especially difficult in our environment.
Vilification of the other is married to the justification of the self.
History is the painful realization that we aren’t the ones who can save the world but, rather, we’re the ones who get saved.
In Jesus, the most totalizing summary of the law becomes the gospel of the one made perfect through obedience.
Moses is no Jesus but he, like us, is saved by Him. The law cannot enter the promised land, and yet the true and greater promised land is occupied by nothing but lawbreakers.
It’s God’s power that we are dealing with here that is made perfect in weakness, not ours. God’s power is made perfect in the weakness of the cross.
There’s no possibility of understanding the grace of Romans 6 and the glory of Romans 8 unless you identify with the excruciating struggle of Romans 7.