We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
Christ does not hide his wounds. He offers them.
The church does not await a verdict; she proclaims one.

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Three Lenten songs express the same astonishing wonder of a Lord who willingly suffers and dies.
News of Kilmer's death hit me like a freight train because his Doc Holliday stirred something in me about friendship—both the earthly kind and the divine.
The Psalm now is this: as Christ suffered and then was exalted, so we are also in him.
Sometimes the old story is the one we need to hear again and again.
The great lie of addiction is that suffering must be fled, must be numbed, must be drowned out by any means necessary.
To be happy is to be the object of God’s love in Christ and to love God and others with the love of Christ.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The wrong god means love remains frail, fickle, or a fiction. The right God means love is the most reliable thing in all the world.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
Wisdom lurks in the outer places. Rich gratitude sprouts from the impoverished and forgotten.