In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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One of the strongest elements in the evangelicalism of my youth has a place in Lutheranism that might be surprising to many. This is what our confessions call “The Mutual Conversation and Consolation of the Brethren."
God must kill me. He’s got to slay me, put me six feet under, and shovel dirt atop my corpse. Then, it’s like, “Hey, I finally understand! You’re God and I’m not.
Why, given all the things we wish God had told us, but didn’t, does he “waste our time” by stating the patently obvious? Was there, in Moses’ day, an outbreak of violence against the disabled?
A cemetery is a hard place to confess because the cemetery itself seems to confess, “You, O mortal, have lost.”
The details vary, of course, but we too struggle to repair the heart broken by the tragic death of someone we love. We're dazed, angry, speechless.
The reason is much simpler than that: to learn to pray, you must first die. The language of prayer is taught in the school of death.
But this dying world is still the world of our living God, who graces us with tokens of a final renewal. As leaf subsides to leaf, and frost to snow, and snow to ice, there comes a day when the gold of nature sprouts anew.
The place where God appears or dwells ceases to be common ground; it becomes holy. Dust, rocks, vegetation, wood, metals, everything roundabout soaks in his sacredness.
In accordance with their views of what a church is, or what a church ought to be, they planned and executed each of these sanctuaries. In other words, theology designed architecture, and architecture signaled theology.
For out of the mouths of these opposition forces, gathered on enemy turf, comes the defiant declaration of death’s undoing: “Christ is risen! He is risen, indeed!” An audacious act it is, to march smack dab into the middle of a place that screams, “Dead!” and to sing, “Alive!”
On that day the mourners were shocked to discover that behind the veneer of her bright smile lurked a fathomless darkness, whose depths she made manifest only when she despaired of life in this world.
Though the theophanic elements at the Jerusalem Pentecost were not as diverse as those at Sinai, there is one prominent commonality between the two: divine speech out of divine fire.