Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.
As Jesus hung on the cross there would be no last second escape. No Greek goddess would swoop in to rescue him. He suffered alone. And yet even in that suffering he declared his victory on the spiritual battlefield to be your victory.

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Today, and every day, he wears a crown and every angel in heaven knows him by name.
Why does John make you uncomfortable? You know. It’s not just the clothing; it’s not only the hair; it’s not even really the diet. John the Baptist is uncivilized—that’s the problem.
Eat, yes, but season your turkey with the ashes of repentance as it preaches just how little your faith is, just how little you trust God, just how little you believe the Father is good to you.
There is no whitewashing of evil within the biblical family. The sheer fact that it is recorded, that of all the events in these people’s lives, these were chosen to be chiseled into the stone of the church’s remembrance, tells us something.
He may be a good sport about it, smile for the camera, congratulate the better man, but secretly he hates the loss and covets another chance at victory.
I believe, however, that lurking behind every reason we don't forgive is one fundamental impulse: the desire, real or perceived, to control the offender.
The reason is much simpler than that: to learn to pray, you must first die. The language of prayer is taught in the school of death.
O such is the crumbling fortress of the god of this world, but how it entices our flesh! For it looks like a house of candy to the Hansels and Gretels who wander through this world.
Like the patriarch, Jacob, who after his wedding night, awoke to the wrong wife in his bed, I too one day opened my eyes to find that the Rachel with whom I had fallen in love, for whom I'd labored long years, was not the one beside me as the sun rose.
What is most remarkable about this tale is not how clever it is, but that the original storyteller was just as greedy as the three fictional young men were.
But this dying world is still the world of our living God, who graces us with tokens of a final renewal. As leaf subsides to leaf, and frost to snow, and snow to ice, there comes a day when the gold of nature sprouts anew.
The place where God appears or dwells ceases to be common ground; it becomes holy. Dust, rocks, vegetation, wood, metals, everything roundabout soaks in his sacredness.