In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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She against whom I preached, in her unexpected response actually “preached” to me three truths I have never forgotten.
What I will tell you is that, despite all evidence to the contrary, despite what you think and feel and imagine, God is indeed in that dark place. You don’t know it, but he’s licking your wounds, too. And he’s keeping the deeper, blacker darkness at bay.
The Spirit, who endowed the tabernacle architects with wisdom from on high, overshadows Mary's womb, the new holy of holies, where Wisdom is incarnate below.
We need not look the part to elicit divine compassion. We need not be on our knees, face downcast, eyes watery, voice quivering, to make sure we get heaven’s attention. We need not play the beggar before God.
Let him feel the heft of stone cradled in his palm, and consider the gravity of guilt cast upon the hypocrite.
Not only does he give them a fourth chance; he risks the very life of his son in doing so. There lay three of his servants, with blackened eyes and broken bones, scarred by cuts and abrasions, and he imagines things will go better for his son?
When Jesus was baptized, his Father’s voice fell from heaven, proclaiming, “You are my beloved Son, whom I love; with you I am well pleased,” (Mk 1:11). But there in the wilderness it did not seem so, did it?
If I am so bound up in the history of the first man, all the way back at the dawn of creation, how can I not also be bound up in the more recent history of my family?
Never are we more Hollywood than when we admit wrongdoing. Our confession is scripted, edited, practiced. Move over Brad Pitt; I’ve got this role down pat, for it’s my version of me.
People take off their public masks when around relatives. They let their darkness shine. That’s why Manuel spends his December 25 in the graveyard, talking to the dead.
Strange though it be, however, it is marvelous in meaning: for this was his way of writing his covenant into the very flesh of his people. What was not there, was a sign of what was there.
A few weeks ago, the pastor of my congregation did something in his sermon I’ve never heard a pastor do: he confessed a failure. He had once been ashamed of his brother, he admitted, and had acted in a way toward him that was not in keeping with love.