Jesus is not a god that we can manipulate and mold. Christ is the true God, the one who is.
Yahweh tells his people that they “shall have no other gods before me,” he’s speaking into a culture whose very fabric is made up of the worship of other gods.
Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.

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It is one thing to pray against death’s slow and aggressive assault on God’s creation. It is another to trust in the one who has conquered the grave.
God created humanity in his image and then inhabited that image. Not just for 33 years, but for eternity thereafter.
Christ presents to us such liberty, so that we as Christians according to our faith may tolerate no other master, but only hold that we are baptized and called unto Christ, and through him have become justified and sanctified.
Our stories, be they ever so inspiring or worthy of emulation, should never be equated with proclaiming the Gospel of Jesus Christ and the Gospel Jesus Christ commissioned to be proclaimed.
To dwell with a Holy God in their camp, Israel lead holy lives. Anything standing in the way of and threatening this holy relationship must be avoided or eliminated.
It is that love, finally, which comes back again and again, not as an afterthought, but as the underlying theme of the entire section.
These parables invite us to consider the mysterious way of the reign of God. The Kingdom of God comes by grace to those who are seeking and not seeking it.
A change during a time of crisis is nothing new; it's an experience we can see throughout history.
In our attempts to conform the Gospel of Jesus Christ to material, therapeutic, and mystical standards of religion and spirituality we've arrested, inhibited, distorted, and handicapped God's Word and gifts of salvation.
Lack of effort isn’t the sworn enemy of fruit-bearing. Self-sufficiency is.
The good news of Jesus Christ guides us into godly worship, not self-worship.
“Who Am I?” edited by Scott Ashmon (1517 Publishing, 2020) is now available for purchase.